Showing posts with label Movie Review. Show all posts
Showing posts with label Movie Review. Show all posts

Saturday, September 10, 2011

Thor (2011) BRRip 720p download

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The powerful but arrogant warrior Thor is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth, where he soon becomes one of their finest defenders.

Thor (2011) BRRip 720p x264 DTS - 3Li
Thor (2011) BRRip 720p x264 DTS - 3Li
Language: English
114 Min | 720p BRRip | 1280 x 544 | x264 - 4576Kbps | 23.976fps | DTS - 755Kbps | 4.36 GiB
Genre: Action | Adventure | Fantasy

Screenshot:
Thor (2011) BRRip 720p x264 DTS - 3Li





Friday, November 6, 2009

Ajab Prem Ki Ghazab Kahani Review: A Comedy Film By Raj Kumar Santoshi

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Nov.6,  Raj Kumar Santoshi, director of the famous comedy movie “Andaz Apna Apna” has come up with a new comedy movie titled, “Ajab Prem Ki Ghazab Kahaani“. The new comedy film of Santoshi, which released on 6th November 2009 [Friday] has some of the most popular actors of the present days. Katrina Kaif and Ranbir Kapoor has appeared in the leading role of the film, which is one of the reasons of the film’s success. As this is the first film of the couple, fans would be interested to see how they justify their characters in the film.
Ranbir Kapoor has played the role of Prem while the charming actress Katrina Kaif has essayed the character of Jenny. Both have a charming personality and has the ability to retain the audience’s attention till the end. Apart from the leading pair of Ranbir and Katrina, the film cast includes, Salman Khan, Upen Patel, Govind Namdeo and Darshan Jariwala.
The film, “Ajab Prem Ki Ghazab Kahani“, is different from many other Indian Bollywood movies of these days. In this film, one would hardly find any familiar Hindi movie element like loyal friends, excessively protective mother, strict father or a dangerous villain. The plot of the film is filled with some simple elements of humors that would make the viewers watch the movie.
The tracks of this entertaining movie, which have already gained popularity in the market, were made melodious by Pritam. It is safe to assume that the cinematography, editing and other technical aspects of the film will also get praises from the viewers.

Sunday, October 11, 2009

Zombieland (2009) Review

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Two men have found a way to survive a world overrun by zombies. Columbus is a big wuss – but when you're afraid of being eaten by zombies, fear can keep you alive. Tallahassee is an AK-totin’, zombie-slayin’ badass whose single determination is to get the last Twinkie on earth. As they join forces with Wichita and Little Rock, who have also found unique ways to survive the zombie mayhem, they will have to determine which is worse: relying on each other or succumbing to the zombie


WHAT’S IT ABOUT?

An American wasteland overrun by undead monsters provides the ideal setting for outrageous comedy in Zombieland, the debut feature from writer/director Ruben Fleischer. Woody Harrelson and Jesse Eisenberg play two human survivors who employ contrasting approaches to staving off the pesky flesh-eaters. Eisenberg’s Columbus is a neurotic worry-wart with a distinct obsessive-compulsive streak and a nagging case of irritable bowel syndrome who survives in Zombieland by adhering to a strict set of rules. Harrelson’s Tallahassee, on the other hand, is a whiskey-swilling cowboy who has no apparent rules of any kind, only a vast arsenal of weapons and an insatiable craving for Twinkies.

After encountering each other on a deserted highway, the two opposites decide to join forces, if only to stave off the maddening solitude of Zombieland. But their numbers soon double when, during an abortive Twinkies expedition at an abandoned supermarket, they’re surprised to find a pair of enterprising young girls, Wichita (Emma Stone) and Little Rock (Abigail Breslin), hiding out in the stockroom. (All the characters are named after their hometowns, if you haven’t figured that out already.)

Though their relationship gets off to a rough start (the seemingly innocent girls rob the gullible boys not once, but twice), the unlikely quartet become fast friends, and together embark on the perilous journey out west — to an abandoned theme park thought to be the only zombie-free sanctuary left on the planet.

THE VERDICT

It may be tempting to compare Zombieland to Shaun of the Dead, thus far the most successful zombie-themed horror-comedy to date, but Fleischer’s film bears little resemblance to UK director Edgar Wright’s indie classic. At its core, Zombieland is really a road-trip comedy in the vein of Vacation, Dumb and Dumber or, well, Road Trip, in which our heroes travel cross-country on a quest, encountering various obstacles along the way. In this case, the obstacles happen to be ravenous, cannibalistic zombies.

And it works, thanks largely the charisma and chemistry of its lead actors and the irreverent wit of Fleischer, who proves that there are still plenty of laughs to be gleaned from the increasingly well-worn zombie oeuvre.

The real hero of Zombieland, however, is Bill Murray. Just when the film exhausts its momentum and starts to meander, the legendary star of Ghostbusters and Groundhog Day arrives unexpectedly on the scene, delivering what is bound to be the most talked-about surprise cameo since Will Ferrell showed up at the end of Wedding Crashers. The presence of Murray and his trademark acerbic, deadpan style injects Zombieland with a welcome jolt of energy, giving it just enough gas to carry us through to the closing credits. (FYI: This is hardly a spoiler — Murray’s cameo is listed on IMDB.)

PARTING SHOT

Zombieland isn’t concerned about messages or metaphors or stern warnings about the future in which society is headed; it just wants to make you laugh and have a good time. In that sense, it’s an unqualified success.
 

You may download the film from THIS DOWNLOAD LINK 

Tuesday, April 7, 2009

Movie Review:- Aa Dekhen Zara

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It's all about a camera that speaks its mind in the future. Wish the film was as far-reaching. Aa Dekhen Zara is a very wannabe kind of thriller. It's slick, yes. But it lacks the zippy zest of a true-blue Hitchcock homage like say Mukul Anand's Aitbaar.

More thanda than cool, more wannabe than slick, the film's most interesting moments come from the way the material is packaged rather than the content's evolution from preamble to climax.

A hip hope carries the narration forward. You wish and pray once, just once, the film's intended mood of spinning a slick yarn would reify. Alas, the plot tilts progressively towards a yawn until we feel we're watching a show that has somewhere forgotten where it wants to go. In fact the second-half gets so tediously convoluted you wonder what the point behind the exercise is.

The supernatural element in the film hinges on the camera telling the future. But beyond a point we stop caring about the next frame let alone the future of the characters.

On the plus side the film's exteriors are super-polished. Full marks to art directors Pradip Jha and Hasina Shaikh for their art work. Jehangir Chowdhury's cinematography adds lustre to lacklustre proceedings.

But who's looking? Aa Dekhen Zara offers nothing more to see than glamorous props and characters who dress with a care that the plot's tension doesn't really warrant. But what the hell, this isn't a realistic film. It's film about a camera with supernatural powers and characters who seem to be casualties of powers that go way beyond the camera.

If we only knew what those powers are.

For Neil Nitin Mukesh this role is an extension of his debut in Johnny Gaddar. In both he plays avaricious contemporary dude who doesn't mind bending the rules of civil living. Rahul Dev is mildly riveting as the arch villain. Wish our cinema had found more space for him.

Bipasha Basu gives her role more of a life beyond the marvels of styling.

Sadly she remains stuck where the film remains. Skin deep.